After years of suffering under her beating husband, Sarah decides to no longer take any humiliation or battery, and kills him. For that, Marshal Speakes, her father-in-law, sentences her to the gallows. During a failed hold-up on the coach, she escapes, but Jack Cooper manages to snatch away the transported twenty-five hundred dollars from her, which she would have needed to start a new life. So she follows him to get it back. Soon they have to team up against the Marshal, who wants her dead so badly, he doesn't mind breaking the law. The Desperate Trail is directed and co-written by P. J. Pesce with Tom Abrams. It stars Sam Elliott, Craig Sheffer, Linda Fiorentino and Frank Whalley. Music is scored by Stephen Endelman and cinematography by Michael Bonvillain. Plot sees Fiorentino and Scheffer team up as wanted fugitives out on the lam, pursued by lawman Sam Elliott, who will so anything outside the law to get his way.<br/><br/>The violence is loaded and film aspires to be a Leone and Peckinpah hybrid, so much so it would be easy for the casual Western viewer to believe they were witness to something special in the genre. Slow motion action and explosive blood squibs are the order of the day, throw in some genre staples and you are good to go. After a great opening, a false dawn if ever there was one, Pesce's (From Dusk Till Dawn 3/Sniper 3) picture suffers from bad direction, bad editing, awful musical scoring and the biggest problem of all, gross miscasting. Fiorentino, a fine actress and a fine looking woman, is no rooting tooting vengeance seeking blood spilling cowgirl, while Scheffer? Seriously? Who thought that was a good idea? And Endelman scores it like it's the bastard son of science fiction and Australia outback.<br/><br/>Elliott is good value, he almost always is, but even he at times looks to be wondering just what he is doing in such poor fare. Bonvillain's photography holds up well, with some nice broad lensing of the Santa Fe and Tesuque Pueblo locations; with one gorgeous red sky shot particularly impressive, and the final shoot out is competently staged. But this is a bad Western film, even by TV movie standards. Cribbing from better movies and better film makers does not a good film make, case in point, The Desperate Trail. 3/10 I guess this is supposed to be a feminist Western. While I liked Linda Fiorentino's performance, I also have to wonder what her husband did to her to justify so many murders, so much mayhem. I guess it just spiraled out of control and she did what she had to do to avoid being executed, but some characters were killed who didn't really seem to deserve it. Sam Elliot and Craig Sheffer did decent work, and even Bradley Whitford was OK overdoing a brogue. Like so many Westerns, everybody sure seemed to have an awfully lot of ammunition. The cigarettes and some of the weapons seemed a little bit anachronistic, but the time setting was never really explicit, so never mind. I can't really say see it, but I can't say avoid it either. It depends.<br/><br/>P.S. I don't know if this was a deliberate part of the realism of this film, but about the brief topless scene by Jill Scott Momaday. Her breasts are a bit sagging, noticeably real. I'm not putting down Ms. Momaday, as I prefer that to the more common huge mounds of silicone. Just thought it was interesting.
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